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  • Crew Flat Backed 6' x 2' (Black) 1 ×
  • RGB LED Neon Tube 2m 1 ×
  • Roland Rubix 44 Audio Interface 1 ×
  • Total Fabrication OV30 Universal Corner Block 2 ×
  • Stage Weight 12.5Kg 1 ×
  • 1 Tread Stage Step 190mm (900mm Wide) Black Carpet & Fascia 2 ×
  • Sennheiser e602 Dyanmic Microphone 1 ×
  • Rode Boompole, 3m 1 ×
  • Martin VDO Sceptron 10 1000 1 ×
  • Apple MacBook Pro 13" M1 - Audio 1 ×
  • Sennheiser EK 300 IEM Receiver (GB) 1 ×
  • 3 Tread (Black) Painted Stage Steps 570mm (920mm Deep) 1 ×
  • 2 Tread Curved Stage Step 380mm (For 8' Octant) 1 ×
  • Total Fabrication OV40 3m 1 ×
  • Crew Flat Backed 4' x 4' (Black) 1 ×
  • Showven Sparkular Fall 1 ×
  • Sennheiser e904 Dynamic Microphone 1 ×
  • Yamaha Rio 1608-D2 I/O 1 ×
  • K&M 210/6 Fixed Boom Microphone Stand 1 ×
  • Litedeck Ramp 4' (No Leg Slots) to 190mm 1 ×
  • Focusrite Scarlett 18i20 Audio Interface 1 ×
  • Compact Set Brace (840mm Tall) 1 ×
  • Sennheiser e614 Condenser Microphone 1 ×
  • Allen&Heath MixWizard 14:4:2 Mixing Desk 1 ×

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HomeEQUIPMENT HIREAudioAnalogue Mixing ConsolesSoundcraft EPM6 Mixing Desk
Soundcraft EPM6 Mixing Desk

Soundcraft EPM6 Mixing Desk

• 6 mono mic/line inputs
• 2 stereo inputs
• 2 aux busses (switchable pre/post)
• Stereo master bus

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

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CategoryAnalogue Mixing Consoles
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